Rebuilding review – pleasant to a fault
The cowboy – strong but silent, a lonely figure caught between small town domesticity and the absolute freedom of the wilderness – has experienced something of a reinvention in the past few years, mostly in the hands of women filmmakers. Chloé Zhao’s The Rider and Nomadland, Jennifer Kent’s The Nightingale, Jane Campion’s The Power of the Dog and Kelly Reichardt’s First Cow all…